October 14, 2013

The Old College Try

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I know I've been doing an absolutely despicable job at this whole blogging thing.  I don't think it's all college: I could probably eke out time to write if I applied enough willpower to it, and actually had things to write about.  But you see, I haven't been writing much, so there isn't anything to say about that; I don't want to turn the blog over to "the college experience"; and I'm always afraid I'm going to bore people if I simply post updates.  But the latter is what this post, at least, is going to be.  As for future posts - you tell me!  What would you like to read about?  I can't promise I'll be able to comply, but it's good to have ideas and parameters.

In the meantime, since today and tomorrow are my Fall Break, I figured I should put in an appearance in between paragraphs of a response paper on the Saint Bartholomew's Day Massacre.

university

I know some of you are more interested in this college business than others.  I also realized the other day that I have never actually said why I'm going to college at all.  Those of you who know my sister, Jenny, know that she opted out: my family doesn't put an overwhelming emphasis on college.  College is a means to an end.  If you have certain goals in mind, it is necessary to jump through the academic hoops; if you have other goals in mind, college is more of a hindrance than a help (and an expensive hindrance, at that!). 

For myself, I'd like a good foundation in history and especially in historical research.  I don't know at this point whether I will turn that toward nonfiction some day, but whether I do or not, the processes are things I feel I need to learn as I progress with my writing.  Of course there are less enjoyable aspects of college to endure, but fortunately I tend toward an academic, nuts-and-bolts sort of mind that can, I think, crank along despite that.  It's overwhelming when I stop and think that I've got four years of this, so I try not to think about it. I've got through the first part of the first semester, at any rate!

reading

"I never let my schooling interfere with my education."  Unfortunately I've got to say that it has a little: my pleasure reading has dropped off sadly.  The last book I finished was The Hounds of the Morrigan, which, although a rather fat fantasy, probably oughtn't to have taken me an entire month (in a perfect world).  But oh well: it was a relaxing, fairly mindless read, most remarkable for its original, often highly absurd cast.  Any author who can make a troop of earwigs or a family of spiders sound cute should get points, I say.

There has been quite a range of required reading in my classes, and some particularly interesting ones in the history course.  Unfortunately the dictates of time and the syllabus make it necessary to move on to the next book before finishing the last one; so, for instance, I've read four-and-a-half chapters out of six in a history of book-making technology, about five chapters in The Ottoman Age of Exploration, and most of The Saint Bartholomew's Day Massacre.  The movement is necessary, but does rather give me mental whiplash and makes my reading in general seem fractured.  I don't like not finishing booksEven if I don't like the book, I like finishing the book.

For lighter reading, I've been picking out Sherlock Holmes short stories and applying myself with greatest earnestness to Knights of the Sea, an account of the battle between the HMS Boxer and the USS Enterprise (hey! that's my ship!) during the War of 1812.  It is interesting, although I wish the author wouldn't define words in the footnotes.  I understand some people don't know what, say, "broadside" means, but I do feel a glossary works better; it feels less as though the author is imparting some great knowledge to a less educated audience.  But again, it's the "lucky little Enterprise"!  I feel a certain pride when I glance through the pages and see all the fights it won, or when I see a portrait and think, "Ah ha!  I know you!"

writing

Well, not writing exactly, but literary efforts in general.  I have been sending out a few queries here and there for Tempus Regina - even gotten a few rejections, hurrah hurrah.  (Also got a rejection on query for The White Sail's Shaking that I submitted five months ago.  Um...thanks?)  As I was telling someone recently, it is a little bit difficult to convey all the disparate elements in a cohesive, if not necessarily sane, way.  So often time-travel is used simply as a ploy, and somehow I have to show that no, wait, I really do know what I'm doing!

At the moment, I am working more on lowering wordcount.  It helps to have several different files, each of a separate draft, so that I know whatever I take out is still there: I can, if need be, add it in again.  In essence, it allows me to feel that the parts I've cut really are there in the overarching story; they just haven't been revealed to the reader.  Like colleges cutting costs (I'm sorry - everything does come back to college in the end, doesn't it?), I'm trying to avoid "sticker shock" by pitching a too-large novel.  Somehow agents don't seem impressed when I protest that for goodness sake, it's not as if it's War and Peace!

the miscellaneous

I want you all to know that I got that word right on only the second try.  That's pretty good for me.  I think to my dying day I will be unable to spell it properly the first time.  That and "mischievous" (took me about three tries).

Fall is just about here, I think.  We're planning on apple-picking today, which is one sure sign; and I got a pumpkin latte from Starbuck's last week, and that's another.  Even on the warmer days, I break out the long sleeves in a kind of defiant protest.  I will enjoy autumn weather, confound it, even if the autumn weather isn't here to enjoy!

My family and I are working slowly toward getting our passports together for a trip to Glasgow over Thanksgiving next month.  Two out of three have arrived, and we are hopeful that, Lord willing, come late-November we'll be standing on Scottish soil and preparing to do some trekking (via car and train: my father raised his eyebrows in true Mr. Bennet fashion at the suggestion of cycling). I am absolutely terrified of the idea of flying, but am very excited at the idea of getting over to Scotland and maybe getting to scoot all the way down to York.  Perhaps see Bosworth Field. Good nerdy stuff like that.

"BRRRRITISH...BICYCLES!"

September 23, 2013

Goddess Tithe Cover Reveal

Hullo-allo-allo, something new for you today!  Some of you - the ones who have read a few or all of Anne Elisabeth Stengl's Tales of Goldstone Wood - have been waiting to learn more about her newest project. The cover of Shadow Hand was shown several months ago, and since it isn't scheduled to release until February 2014, I rather thought that would have to be it for the time being.  But then Anne Elisabeth announced a new project, the very first novella in the Tales of Goldstone Wood.  



The Vengeful Goddess 
Demands Her Tithe 

When a stowaway is discovered aboard the merchant ship Kulap Kanya, Munny, a cabin boy on his first voyage, knows what must be done. All stowaways are sacrificed to Risafeth, the evil goddess of the sea. Such is her right, and the Kulap Kanya's only hope to return safely home. 

Yet, to the horror of his crew, Captain Sunan vows to protect the stowaway, a foreigner in clown's garb. A curse falls upon the ship and all who sail with her, for Risafeth will stop at nothing to claim her tithe. 

Will Munny find the courage to trust his captain and to protect the strange clown who has become his friend? 

Besides being the first novella in the series, Goddess Tithe differs from the usual Goldstone Wood fare by being illustrated.  Anne Elisabeth included eight full-page drawings (done by herself, of course, because she's awesome like that) throughout the story, and is letting us have a sneak-peek at one of them.

Anne Elisabeth writes, "This is the first [illustration] in the book. I decided to share it with all of you since it depicts my young hero, Munny the cabin boy, under the watchful eye of his mentor, the old sailor Tu Pich. Munny is on his first voyage, and he is determined to learn all there is to know about a life at sea as quickly as possible. Thus we see him utterly intent upon the knot he is learning to tie.

Tu Pich is old enough to know that no sailor will ever learn all there is to know about the sea. Thus he looks on, grave, caring, and perhaps a little sad. He might be looking upon his own younger self of many years ago, fumbling through the hundreds of difficult knots his fingers must learn to tie with unconscious ease.

I enjoyed creating all the illustrations for Goddess Tithe, but this one was my favorite. I love the contrasts of light and dark, the contrasts of young and old . . . youthful intensity versus the perspective of age."

 

 According to the official author bio...

Anne Elisabeth Stengl makes her home in Raleigh, North Carolina, where she lives with her husband, Rohan, a kindle of kitties, and one long-suffering dog. When she’s not writing, she enjoys Shakespeare, opera, and tea, and practices piano, painting, and pastry baking. She studied illustration at Grace College and English literature at Campbell University.

She is the author of the Tales of Goldstone Wood, including Heartless, Veiled Rose, Moonblood, Starflower, and Dragonwitch. Heartless and Veiled Rose have each been honored with a Christy Award, and Starflower was voted winner of the 2013 Clive Staples Award.

According to me...

She can also be found over at Tales of Goldstone Wood, where she blogs about writing, cats, and fantasy in general.  (Psst! Her Friday Tidbits series has some great tips.  And her cats are adorable.  So everyone should head to the blog.)

A number of bloggers are participating in Goddess Tithe's reveal today, some of whom will be featuring an excerpt and, I believe, some background on how Anne Elisabeth designed the cover.  The novella releases November 12, soon enough to tide readers over until Shadow Hand's February appearance.  Keep an eye out!  And in the meantime, be sure to enter the giveaway below: you might just win a copy.
 
meet the authoress
I am a writer of historical fiction and fantasy, scribbling from my home in the United States. More importantly, I am a Christian, which flavors everything I write. My debut novel, "The Soldier's Cross," was published by Ambassador Intl. in 2010.
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Followers

published writings






The Soldier's Cross: Set in the early 15th Century, this is the story of an English girl's journey to find her brother's cross pendant, lost at the Battle of Agincourt, and of her search for peace in the chaotic world of the Middle Ages.
finished writings






Tempus Regina:Hurled back in time and caught in the worlds of ages past, a Victorian woman finds herself called out with the title of the time queen. The death of one legend and the birth of another rest on her shoulders - but far weightier than both is her duty to the brother she left alone in her own era. Querying.
currently writing



Wordcrafter: "One man in a thousand, Solomon says / will stick more close than a brother. / And it's worthwhile seeking him half your days / if you find him before the other." Justin King unwittingly plunges into one such friendship the day he lets a stranger come in from the cold. Wordcount: 124,000 words

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